| EI
MARCH 2013 PERFORMANCE SERIES The Fortieth Anniversary of EI performances at 224 Centre Street, the Forty-fifth Anniversary of the Founding of Experimental Intermedia, the Forty-fifth Anniversary of the 224 Centre Street loft, and, not least, The
Twenty-fourth Annual Festival with no fancy name, Part Two (or B)
|
|
| Walter Branchi (Italy) |
Thursday 14 |
| I
think of music in a systemic way; I think of my music as a single,
great composition formed of parts that can be performed separately but
are not isolated from one another; I think of my music as a whole (as
an “Intero”), which will take my entire life to compose and which will
never be completed; “Un grande canto,” where every part includes the
whole and is included by it; what I am going to present tonight are
three recent parts of Intero - In memoriam György
Ligeti - Sensibile - Behold.; and a time lapse video: Blue
Mountain Lake that Kristin Jones has been working on that is set
to my music walter-branchi.com
|
|
| Krzysztof
Knittel and Andrei Smirnov (Poland and Russia) |
Friday 15 |
| Smirnov,
playing 3D Theremin + MaxMSP; Knittel, playing interactive monochord
(based on infra-red beams), iPhone and iPad - will perform three
pieces: Brain Jazz 2, El. Free improv 2, Free for(m) Macwin
3 (Brain Jazz 2 is a performance/installation based on interactive
brain-wave biofeedback system - all processes depend on mimics of the
face of the performer) asmir.info
knittel.wizya.net
vimeo.com/16889938
youtube.com/watch?v=f6B6s8Ctjcs |
|
| Cat Lamb (USA) | Sunday 17 |
| shade/gradient
- viola, voice, formant/filtered oscillators sacredrealism.org/catlamb/ |
|
| Dan Joseph
(USA) |
Tuesday 19 |
| The
Brooklyn-based composer performs works for electro-acoustic hammer
dulcimer and field recordings with guest artist Andrea
Williams danjoseph.org |
|
| Grahame
Weinbren (USA) |
Sunday 24 |
| Letters
consists of an indeterminate number of films, each one minute in
duration, and connected―in one way or another―with a letter of the
alphabet. It is a kind of test-ground for ideas about cinema, both
technical and conceptual, but also for another kind of idea, the
externalization of an inner life, inasmuch as that tired phrase
describes anything grahameweinbren.net |
|
| Screen Compositions 9 - Curated by Katherine Liberovskaya | Monday 25 |
| The
ninth edition of Screen Compositions is once again a collection of
intersections of moving image with sonic art; a program of screen works
representing dynamic two-way collaborations between video/ film artists
and sound/ music artists specifically intended for single-channel
projection with no live or performance component; featuring
collaborations by: Nathalie Bujold / Gerard Leckey + Lary 7; Nisi
Jacobs / Michael Schumacher; Chris Jordan / Dok Gregory;
Katherine Liberovskaya / Guy de Bievre; Diane T Tremblay / Sylvie
Chenard; Ursula Scherrer / Brian Chase; Joel Schlemowitz / Rebecca
Moore; Elaine Wood / Rick Breault; Erik Z / Brian Chase |
|
| Carlos Casas (Spain) |
Tuesday 26 |
| A
selection of Fieldworks films from his award winning trilogy End, these
fieldworks are video notes in between field recordings and radio
frequencies captured in locations in some of the most extreme
environments on the planet - Patagonia, Aral, Siberia; these single
channel films will be followed by a two screen projection and live
soundtrack of Tundra, a film about a day in the life of a reindeer
herder community in Siberia carloscasas.net |
|
| Kristin Norderval and
Kevin Norton (USA) |
Friday 29 |
| KN2 - an
evening of improvisations - Kevin on percussion and
vibes, and Kristin on acoustic vocals, pre-recorded sounds
of prepared pianos, and live audio processing of all of the above; they
are joined by Katherine Liberovskaya working her magic with live video
processing myspace.com/kristinnorderval kevinnorton.com |
|
| Our programs are supported by the New York State Council on the Arts, the Aaron Copland Fund for Music, The Adam Mickiewicz Institute, Poland and the Phaedrus Foundation | |
|
|
|
|
|
|