| EI
MARCH 2016 PERFORMANCE SERIES The Forty-second Anniversary of EI performances at 224 Centre Street, The Forty-seventh Anniversary of the Founding of Experimental Intermedia, the Forty-seventh Anniversary of the 224 Centre Street loft, and, not least, The Twenty-sixth Annual Festival with no fancy name, Part Two (or B) Phill Niblock, curator |
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| Peter Wießenthaner (Frankfurt am Main) |
Wednesday 16 |
| Hitmachine •
SOUND and COLOUR • for filter sounds, bass- and piccolo-glissando
flutes, animation, 4 loudspeakers, 1 subwoofer; filters unite a
compact percussion-sound-like machine; Hitmachine is a dynamic
system in MAX and is running independently, without repetition and
generates a connection of tone and picture in an almost infinite
variation; sounds from bass- and piccolo-glissando-flutes flank the
main stream of the filter-sounds; the sound-data generate coloured
lines and place them in the screen - Hitmachine, work in progress www.wiessenthaner.de |
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| John Wiese (Los Angeles) | Thursday 17 |
| Works
primarily in sound with a focus on installation and multi-channel
diffusions, as well as scoring for large ensembles; he will be
presenting new sounds recorded at INA/GRM's studio http://www.john-wiese.com/ http://johnwiese.bandcamp.com/ https://www.youtube.com/watch?list=PLPIU_2o6JkZ11uL6pP8MAYdlMz49lQXtL&v=6VeKVW9qcMI |
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| Byron Westbrook (New York) | Friday 18 |
| Premiering
new electronic works for two, three, and four-channel audio;
featuring experiments with phase relationships, synthesized ASMR,
fake field recordings, and the occasional
no-downbeat-rhythm byronwestbrook.com |
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| Michael Lytle (New York) |
Wednesday 23 |
| POOL is a group of
composer/performers, one each from a major instrumental
group: Strings - Stephanie Griffin, viola; Reeds - Michael Lytle, bass and contra bass clarinets; Percussion - Denman Maroney, piano; Voice - Dafna Naphtali, voice and electronics; Brass - Steve Swell, trombone |
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| Babeth M.
VanLoo (Amsterdam) A Video Event |
Thursday 24
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| The
media-artist and filmmaker will show several video installations: 1- Meditation / Radiation, 3 channels; 17 min - Kobe Japan, Paro Bhutan, Amsterdam; 2- Art Liberation - In me, in you: 7 min - mixed media, and live performance; 3- Joseph Beuys - Das Kapital; 24 min - Mixed media - a: Venice Biennale, Beuys installing Das Kapital, no dialogue, music score by Charles Neville; b: Beuys discussing his broadened concept of art; As part of this centerpiece, Babeth invites you for a dialogue about her teacher, Beuys, his legacy and vision about the democratization of money versus the monopolization of capital |
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| Marica Radojčić and
Miroslav Miša Savić (Belgrade) A Video Event |
Friday 25 |
| Music
Hologram – Nikola Tesla, an audio-visual project; Miša (audio - his
first published CD) and Marica (visual ambience – video and 3D
animations) were inspired by Nikola Tesla: his inventions and
experiments (high voltage electricity, artificial lightings, Tesla
coil) as well as his intriguing personality (rare ability of mental
visualisation, phobias and obsessions, particularly that one with
numbers – the number 3 playing an important role); following Tesla’s
ideas Marica examines the cognitive role of images, forgotten for
centuries, but everywhere accepted in ancient cultures https://www.youtube.com/edit?o=U&video_id=kR7xow31DuY,
https://youtu.be/dP40QA22a-8 |
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| Andrew Neumann (US) A Video Event | Saturday 26 |
| Three (or
Four) Video Projections: An evening of live video/musical
interactions: “Craneology V3”: shot from one window over
three years, a meditation on labor, construction, and weather
patterns - “Double/Psycho”: a formal reconstruction of
Hitchcock’s film and Van Sant’s remake, a truly new psycho
emerges - “Split:Riddle”, a re-examination of the opening scene from
“The Killers”, one of the finest (and) most confusing of all
film noir’s; “Streaming Fields of Lava
Lamps”: a meditation on lava lamps, asparagus, and
chairlifts.…it’s that obvious; Live musical and interactive video switching included throughout www.adneumann.com https://soundcloud.com/andrew-neumann |
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| Screen
Compositions 12: curated by Katherine Liberovskaya |
Monday
28 |
| Now
in its twelfth year - the 2016 edition
of Screen Compositions presents, as every time, an
exciting collection of intersections of moving image with sonic art;
a program of screen works representing dynamic two-way
collaborations between video/film artists and sound/music artists
specifically intended for single-channel projection with no live or
performance component; featuring collaborations by: Nayantara
Bhattacharya Reed / Rick Reed; Nathalie Bujold / Isabelle Bozzini
(Bozzini Quartet) + Taylor Brook; Kenneth Curwood / Jonas Reinhardt;
Richard Garet / Daniel Neumann; Katherine Liberovskaya / Phill
Niblock; Jeanne Liotta / Zach Layton; Diane Ludin / Dan Vatsky /
Gill Arno; Claire Willemann / Julien Pauthier; Elaine Wood / Rick
Breault |
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| Our programs are supported by The David & Sylvia Teitelbaum Fund, Inc, the Aaron Copland Fund for Music, the Phaedrus Foundation, and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature | |
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224
Centre
Street at Grand, Third Floor, N Y 10013
9pm |
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