EXPERIMENTAL
INTERMEDIA The The Fifty-Second Anniversary of EI performances, the Fifty-Seventh Anniversary of the Founding of Experimental Intermedia, the Fifty-Seventh Anniversary of the 224 Centre Street loft, and, not least, The Thirty-Fifth Annual Festival with no fancy name, Part One (or A) Katherine Liberovskaya, curator MARCH 2025 - All events at 7PM in all places Please note all the different
venues for this series
All evenings in-person at 7pm as well as simultaneously video-streamed live from this website Suggested donation $10 except Monday 31st at Zürcher Gallery 2 sets / $20 |
|
Alex Chechile (Providence, RI) - at Harvestworks |
Monday 24 |
Using findings from his psychoacoustic research on the perception of spectrally complex difference tones, Alex Chechile
will perform works from his On the Sensations of Tone series; the pieces explore expanded layers of spatial depth created
by tones that are generated by the ear and appear localized within the head; the multichannel works will employ modular
synthesizers and Chechile’s custom Ear Tone Toolbox, and the concert will be accompanied by an artist/research talk on
difference tones and otoacoustic emissions - alexchechile.com |
|
Thessia Machado & Ranjit Bhatnagar (NYC) - at Various/Artists | Thursday 27 |
From an assortment of mechanical, acoustic, organic, and sometimes electronic sound-making objects, Bhatnagar and
Machado tease out loops, drones, voices, and textures in an unpredictable landscape; misusers of tools & devices,
senses-focused, the duo sings the unsung song of the objects - thessiamachado.com - moonmilk.com | |
Eric Letourneau (Montreal, Canada) - at Various/Artists | Friday 28 |
Eric Létourneau utilizes his queer body to interweave oblique ways of combining experimental music and performance art;
he is interested in queer phenomenology as a way of apprehending research-creation; the sound performance Joncs
cagettes bassesterres incorporates minimalist elements that open up a fantasmatic world in which traditional dialectical
models are blurred in favor of a transductive aesthetic through sound and action; with Brian McCorkle, Yvette Massoudi,
and Katherine Liberovskaya - systememinuit.com |
|
Benton C Bainbridge (Erie, PA) - at Various/Artists |
Saturday 29 |
Benton C Bainbridge will present an abridged account of 4+ decades of electronic art experimentation, with stories of folx
and the spaces they ran to support the creative underground, such as Phill Niblock and the Experimental Intermedia loft;
Benton will also talk about future plans for FEED.art, a new space he's building for media arts in downtown Erie, PA - wikipedia.org/wiki/Benton_C_Bainbridge |
|
SCREEN COMPOSITIONS 21 curated by Katherine Liberovskaya - at Various/Artists | Sunday 30 |
Wow! who would have thought that Screen Compositions would continue beyond 20 years into a third decade? but here
we are, with our 21st edition, still bringing you a yet new collection of ever intriguing and enthralling intersections of
moving image with sonic art; a program of screen works representing dynamic two-way collaborations between video/film
artists and sound/music artists specifically intended for single-channel projection with no live or performance component;
featuring collaborations by: Jo Andres / Hahn Rowe; CHIKA / Hiromi Kiba; Agnes Gruz / Nikolaus Gerszewski; Carmen-
Sibha Keiso / Bonnie Mercer; Scott Kiernan / Shelley Hirsch; Katherine Liberovskaya / Phill Niblock; Andrew Neumann /
Robert Poss; Phill Niblock / Tim Shaw; Monika Trotula / Mia Zabelka + Stefan Strasser + Tungu; Alessandra Zucchi /
Antonio Della Marina |
|
Charmaine Lee (NYC) - at Zürcher Gallery |
Monday 31 |
Solo improvisation for voice and electronics, exploring feedback and sonic palettes between wires and breath - charmainelee.com
|
|
MV Carbon (NYC) - at Zürcher Gallery |
Monday 31 |
Prioritizing sound exploration over traditional musical structures, rhythm and emotion weave and unravel as dense
orchestrations magnify the ritual embedded within music; chaotic moments of sonic trajectory are leveled with contrasting
elements of pure tone; percussive backgrounds are created with hand made instruments as electric cello is processed
through a meticulous chain of effects; structure is established then shifts, allowing sound to metamorphosize into space - mvcarbon.com |
|
Venues: Harvestworks: 596 Broadway #602, New York, NY 10012 - www.harvestworks.org Various/Artists: 19 Essex St, New York, NY 10002 - variousartistsrecords.com Zürcher Gallery: 33 Bleecker St, New York, NY 10012 - www.galeriezurcher.com |
|
Experimental Intermedia, www.experimentalintermedia.org and www.XIrecords.org, 212 431 5127 |
|
Our programs are supported by the Aaron Copland Fund for Music, the Phaedrus Foundation, the Ulla Dydo Charitable Fund, a Donor Advised Fund of Renaissance Charitable Foundation, and the New York State Council on the Arts with the support of Office of the Governor and the New York State Legislature ![]() |
|
Experimental Intermedia, 224 Centre Street at Grand,
|
|
|